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Master's Dissertation
DOI
10.11606/D.27.2015.tde-01122015-101949
Document
Author
Full name
Maria Fernanda Riscali de Lima Moraes
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2015
Supervisor
Committee
Avancini, Atilio José (President)
Medeiros, Gutemberg Araujo de
Mourão, Maria Dora Genis
Title in Portuguese
A fotografia do conflito: uma parceria entre Sergei Eisenstein e Eduard Tissé
Keywords in Portuguese
arte
cinema
fotografia do conflito
montagem
Roland Barthes
Abstract in Portuguese
São muitas as parcerias no cinema, mas a que relaciona o diretor de cena ao diretor de fotografia é certamente a principal. A proposta desta dissertação de mestrado é analisar o estilo de fotografia criado por Eduard Tissé em três dos filmes que trabalhou com Eisenstein. A metodologia teórica da pesquisa baseia-se em Roland Barthes a partir da análise do artefato primeiro do cinema, que é o fotograma. As dimensões sociais ligadas ao materialismo dialético e suas aplicações ao filme, na forma como o espectador promove a leitura de sentidos, preocupavam o diretor soviético. Com isso evidencia-se o princípio conceitual de Eisenstein, desenvolvido pela célula de montagem, na visão da sua missão sócio-cultural em busca da fotografia do conflito.
Title in English
-
Keywords in English
art
cinema
conflict cinematography
editing
Roland Barthes
Abstract in English
There are many partnerships in the movie business, but that between director and director of photography is certainly the main one. The purpose of this dissertation is to analyze the style of photography created by Eduard Tissé in three of the movies he worked with Eisenstein. The theoretical research methodology is based on Roland Barthes from the analysis of the first film artifact: the frame. The social dimensions related to the dialectical materialism and its applications to the cinema - the way the audience reads the film sense - worried the soviet director. With that, the conceptual principle developed by Eisenstein is highlighted in search of the conflict cinematography.
 
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Publishing Date
2015-12-01
 
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