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Doctoral Thesis
DOI
https://doi.org/10.11606/T.27.2016.tde-27092016-145031
Document
Author
Full name
Frederico Fernando Souza Silva
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2016
Supervisor
Committee
Chiarelli, Domingos Tadeu (President)
Lourenço, Maria Cecilia França
Mubarac, Luiz Claudio
Pitta, Fernanda Mendonça
Squeff, Letícia Coelho
Title in Portuguese
Arthur Azevedo: o crítico de arte como colecionador / o colecionador como crítico de arte
Keywords in Portuguese
Arthur Azevedo
colecionismo
crítica de arte
gravura
século XIX
Abstract in Portuguese
A tese discute a atuação de Arthur Azevedo como crítico de arte e colecionador no circuito artístico do Rio de Janeiro entre os anos 1870 até os primeiros anos do século XX. A partir de um levantamento de textos esparsos sobre arte escritos pelo autor na imprensa carioca esforça-se por analisar e situar sua produção crítica frente à arte brasileira da segunda metade do século XIX. Concomitantemente busca-se analisar o conjunto de obras (gravuras, pinturas, livros, álbuns e manuscritos) reunidas pelo dramaturgo nesse mesmo período. Frente a essas duas extensas atuações desenvolve-se como tese central a ideia de que a dupla atuação de Arthur Azevedo somente foi possível, por ser aquele um período de reestruturação do meio artístico permitindo que intelectuais como ele, sem formação na área, pudessem atuar como crítico e colecionador.
Title in English
-
Keywords in English
art collecting
art critic
Arthur Azevedo
nineteenth century
prints
Abstract in English
This thesis discusses Arthur Azevedo's acting as an art critic and collector in the circuit of art in Rio de Janeiro from the 1870's until the early years of the Twentieth Century. According to a survey of scattered texts of art written by the author in the "carioca" press, he strives to analyze and situate his critical production within the Brazilian art of the second half of the Nineteenth Century. At the same time, it is sought to analyze the set of works (prints, painting, books, albums and manuscripts) gathered by the playwright in this same period. With respect to these two extended performances, it is developed as a central thesis the idea that Arthur Azevedo's dual acting was only possible because that period was the restructuring of the artistic movement. Thus, enabling that intellectuals like him could act as critics and collectors without professional training.
 
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Publishing Date
2016-09-27
 
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