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Doctoral Thesis
DOI
https://doi.org/10.11606/T.27.2013.tde-06052014-101812
Document
Author
Full name
Ana Maria Antunes Farinha
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2013
Supervisor
Committee
Ajzenberg, Elza Maria (President)
Goncalves, Lisbeth Ruth Rebollo
Jardim, Evandro Carlos Frasca Poyares
Leite, Edson Roberto
Oliveira, Alecsandra Matias de
Title in Portuguese
Gestão de museus de arte: coleção e mediação
Keywords in Portuguese
Coleções sob guarda provisória e por determinação judicial
Gestão de museus de arte contemporânea
Mediação
Abstract in Portuguese
A presente pesquisa tem como objetivo investigar os mecanismos de gestão de museus de arte e os procedimentos que são adotados para que essas instituições culturais possam abrigar e ampliar suas coleções de arte, servindo à conservação e à mediação da arte. Refere-se à constituição dos acervos contemporâneos, ao desenvolvimento das formas de geri-los, e de mediá-los. Como eixo principal, discute-se a incorporação temporária de coleções privadas em acervos públicos, por determinação judicial. Dedica-se, especificamente, à reflexão sobre o acolhimento e a gestão de coleções temporárias e/ou transitórias, tomando como exemplo, o acervo do Museu de Arte Contemporânea da Universidade de São Paulo que dispõe de obras em regime de comodato, empréstimos e por determinação judicial. O estudo, ora apresentado, trata a questão dos museus sob a perspectiva de sua gestão patrimonial e interação com a sociedade, destacando seus aspectos históricos, culturais, econômicos e seus desafios para a exposição de arte contemporânea. Como estratégias metodológicas, adotam-se na pesquisa, suportes interdisciplinares, envolvendo História, História da Arte, Museologia, Estética e outras áreas do conhecimento
Keywords in English
Collections under provisional guard and judicial determination
Management museum of contemporary art
Mediation
Abstract in English
The purpose of this research aims to investigate the mechanisms of management of art museums and the procedures that are adopted so that these cultural institutions could shelter and broaden their art collections, serving the conservation and art mediation. It refers to the constitution of the contemporary collections, to the development of ways to manage and mediate them. As the main axis, this research discusses the temporary incorporation of private collections in public collections, under judicial court order. It is dedicated specifically to the reflection on the reception and management of temporary and/or transitional collections, taking as an example, the collection of the Museu de Arte Contemporânea da Universidade de São Paulo which has works by the means of free-lease agreement, on loan and under judicial court order. The present study addresses the question of museums from the perspective of their asset management and interaction with society, highlighting its historical, cultural, economic aspects and its challenges to the contemporary art exhibition. The methodological strategies adopted in the research, interdisciplinary support, involving history, art history, museum studies, aesthetics and other areas of knowledge.
 
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AnaFarinha.pdf (8.63 Mbytes)
Publishing Date
2014-05-07
 
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