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Doctoral Thesis
DOI
https://doi.org/10.11606/T.27.2010.tde-21062010-100207
Document
Author
Full name
Magali Melleu Sehn
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2010
Supervisor
Committee
Ferrari, Donato (President)
Goldberg, Sonia Salzstein
Goncalves, Lisbeth Ruth Rebollo
Lourenco, Maria Cecilia Franca
Souza, Luiz Antonio Cruz
Title in Portuguese
A preservação de 'instalações de arte' com ênfase no contexto brasileiro: discussões teóricas e metodológicas
Keywords in Portuguese
Arte contemporânea
Critérios
Documentação
Entrevistas com artistas
Instalações de arte
Materiais efêmeros
Metodologia
Preservação
Abstract in Portuguese
A abordagem das principais discussões éticas e metodológicas no âmbito da preservação da arte contemporânea constitui o ponto de partida desta tese. O recorte procurou enfatizar a problemática da preservação de algumas modalidades artísticas denominadas atualmente de instalações de arte, evidenciando a produção artística brasileira a partir da década de 80. Tomando como referência o estudo de cinco obras de artistas vivos que, em sua maioria, ainda não estão inseridas no contexto institucional, analisa-se a relevância do registro das intenções desses artistas quanto à preservação, bem como o papel do conservador/restaurador e da comunidade artística.
Title in English
The preservation of "Art Installations" with emphasis on the Brazilian context: theoretical and methodological discussions
Keywords in English
Art installations
Contemporary art
Criteria
Documentation
Ephemeral materials
Interviews with artists
Methodology
Preservation
Abstract in English
Tackling the major methodological and ethical issues in the preservation of contemporary art is the starting point for this thesis. The cutting sought to emphasize the issue of preservation of some artistic modalities, currently called art installations, showing the Brazilian artistic production from the 80s. Compared to the study of five works of living artists and, mostly, not yet included in the institutional context, the relevance of the intention records of these artists is examined in terms of the preservation of their works, the role of the conservator-restorer and the artistic community.
 
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PDFECA2.pdf (5.15 Mbytes)
Publishing Date
2010-10-15
 
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