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Doctoral Thesis
DOI
https://doi.org/10.11606/T.27.2017.tde-15052017-160903
Document
Author
Full name
Valeria Muelas Bonafé
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2016
Supervisor
Committee
Lacerda, Marcos Branda (President)
Caesar, Rodolfo
Garcia, Denise Hortência Lopes
Mannis, José Augusto
Mello Filho, Silvio Ferraz
Title in Portuguese
A casa e a represa, a sorte e o corte ou: A composição musical enquanto imaginação de formas, sonoridades, tempos [e espaços]
Keywords in Portuguese
composição musical
espaço
forma
sonoridade
tempo
Abstract in Portuguese
Esse trabalho se situa numa zona de convergência entre composição e pesquisa. O intento é investigar, compreender e compartilhar meu próprio processo criativo num exercício de autoanálise, onde pesquisadora e compositora precisam negociar um olhar conjunto. Para tanto, selecionei como objeto de estudo um conjunto de três peças compostas no contexto do doutorado: LAN (2011), A menina que virou chuva (2013) e I am [where?], making a personal trajectory of listening (2015). A partir de LAN busco delinear o universo conceitual que atravessa minhas reflexões e minha prática artística, criando um emaranhado de assuntos ligados aos temas forma, tempo e sonoridade. Em A menina que virou chuva aprofundo o trabalho de análise musical exemplificando alguns procedimentos mais técnicos e específicos de construção e elaboração musical. Por fim, em I am [where?] apresento uma espécie de diário/relato de bordo de composição, recuperando a genealogia da peça e explicitando um pouco mais meu modo de trabalho. Ainda que não seja abordado mais diretamente no plano conceitual, o tema espaço também perpassa essa pesquisa.
Title in English
-
Keywords in English
composition
form
sonority
space
time
Abstract in English
This work is located in a convergence zone between composition and research. The intent is to investigate, understand and share my own creative process in an exercise of self-analysis where researcher and composer need to negotiate a common view. Therefore, I selected as object of study a set of three pieces composed in the context of my PhD project: LAN (2011), A menina que virou chuva (2013) and I am [where?], making a personal trajectory of listening (2015). From LAN I seek to outline the conceptual universe that runs through my thoughts and my artistic practice, creating a tangle of issues related to the themes form, time and sonority. In A menina que virou chuva I delve into the work of musical analysis exemplifying some more technical and specific procedures of musical construction and elaboration. Finally, in I am in [where?] I present a kind of diary/board report of composition, recovering the genealogy of the piece and showing a bit more my way of working. Although it is not addressed more directly at the conceptual level, the subject space also runs through this research.
 
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Publishing Date
2017-05-17
 
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