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Master's Dissertation
DOI
https://doi.org/10.11606/D.27.2018.tde-11012018-154830
Document
Author
Full name
Bruno Avoglia
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2017
Supervisor
Committee
Lacerda, Marcos Branda (President)
Bomfim, Cássia Carrascoza
Cury, Fabio
Title in Portuguese
Processos da reelaboração: um diálogo entre performance e texto
Keywords in Portuguese
Clarinete Baixo
Clarone
Reelaboração
Restauro
Transcrição
Abstract in Portuguese
O presente estudo teve como objetivo demonstrar a relevância da reestruturação técnica de uma obra, ou seja, uma reelaboração musical às particularidades de novos meios, focando o clarinete baixo como instrumento central, desencadeando um futuro aprimoramento e adequação aos novos recursos do instrumento e à sua linguagem. Além deste, o trabalho teve como finalidade apontar a proposição de um experimento deste instrumento a um repertório original não idiomático. Para tanto, o procedimento metodológico utilizado observou como referências as reelaborações já realizadas e compreendeu as maneiras com que foram concebidas. O trabalho contribuiu com o desenvolvimento teórico e prático da pesquisa em reelaborações para clarinete baixo, desta forma, favorecendo a disposição de um novo vetor experimental, baseado nas reelaborações feitas. Assim, conclui-se que esta pesquisa, diferentemente do rigor e fidelidade a qual geralmente a reelaboração é aplicada, enfatizou o processo como ferramenta criativa e dialógica.
Title in English
Re-elaboration processes: a dialogue between performance and text
Keywords in English
Bass Clarinet
Clarone
Re-elaboration
Restoration
Transcription
Abstract in English
The present study aimed to demonstrate the relevance of the technical restructuring of a work, that is, a musical reelaboration to the particularities of new media, focusing on the bass clarinet as a central instrument, triggering a future improvement and adaptation to the new resources of the instrument and its language. Besides this, the purpose of the work was to point out the proposition of an experiment of this instrument to an original non-idiomatic repertoire. In order to do so, the methodological procedure used observed references as reworkings already performed and understood the ways in which one was carried out. The work contributed to the theoretical and practical development of the research in reelaborations for bass clarinet, in this way, favoring the arrangement of a new experimental vector, based on the reelaborations made. Thus, it is concluded that this research, in contrast to the rigor and fidelity to which the reelaboration is usually applied, emphasized the process as a creative and dialogical tool.
 
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BRUNOAVOGLIAVC.pdf (7.29 Mbytes)
Publishing Date
2018-01-15
 
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