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Doctoral Thesis
DOI
https://doi.org/10.11606/T.27.2016.tde-12012016-111134
Document
Author
Full name
José Eduardo de Paula
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2015
Supervisor
Committee
Silva, Armando Sérgio da (President)
Coutinho, Eduardo Tessari
Leal, Mara Lucia
Lopes, Elisabeth Silva
Romano, Lúcia Regina Vieira
Title in Portuguese
Jogo e memória: essências - cena contemporânea e o jogo do círculo neutro como anteparos para os processos de preparação e criação do ator
Keywords in Portuguese
Anteparo
Ator Criador
Círculo Neutro
Jogo
Processo de Criação
Abstract in Portuguese
A pesquisa utiliza a Cena Contemporânea (2011-2013) e o jogo do Círculo Neutro como anteparos para os processos de preparação e criação do ator. Primeiro, procura refletir sobre os ambientes formativos, relacionando as proposições de Agamben sobre o "ser qualquer [e o] assim, irreparável" (1993), com as de Bauman sobre "comunidade, segurança, liberdade e estrangeiro" (2003). Segundo, busca cartografar o Círculo Neutro e, para isso, entrevista François Kahn, Francisco Medeiros, Inês Aranha e Maurício Paroni de Castro. Depois, junto a um grupo de atores, instala um campo de verificação prático e experimental para vivenciar, derivar, descrever e enquadrar o Círculo Neutro como "jogo". Considera que o jogo e o jogar, portadores dos aspectos risco, acidente e imprevistos, mostram-se produtivos para o trabalho do ator e para o desenvolvimento orgânico da cena, pois colaboram para a formação de um artista mais "aberto" e com "jogo de cintura".
Title in English
Game and Memory: Essences - Contemporary Scene and the Neutral Circle game as support for the actors' processes of preparation and creation
Keywords in English
Creation Process
Creator Actor
Game
Neutral Circle
Support
Abstract in English
The study uses the Contemporary Scene (2011-2013) and the Neutral Circle game as support for the actors' processes of preparation and creation. Firstly, it aims at reflecting about the education environments by relating the propositions of Agamben about the "whatever being [and the] therefore, irreparable" (1993), with those of Bauman about "community, safety, freedom and foreign" (2003). Secondly, it tries to map the Neutral Circle, and for that interviews François Khan, Francisco Medeiros, Inês Aranha, and Maurício Paroni de Castro. Afterwards, with a group of actors, it establishes a space of practical and experimental verification to experience, derive, describe and frame the Neutral Circle as a "game". The analysis considers that the game and the act of playing, involving the aspects of risk, accident and the unexpected, are productive for the work of the actor and for the organic development of the scene, because they collaborate with the formation of an artist who is more "open" and "more flexible".
 
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Publishing Date
2016-01-12
 
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