Contradições da canção: música popular brasileira em O Mandarim, de Julio Bressane

Camarneiro, Fabio Diaz

doi:10.11606/D.27.2009.tde-21092009-154513

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Master's Dissertation

DOI

https://doi.org/10.11606/D.27.2009.tde-21092009-154513

Document

Master's Dissertation

Author

Camarneiro, Fabio Diaz (Catálogo USP)

Full name

Fabio Diaz Camarneiro

E-mail

Institute/School/College

Escola de Comunicações e Artes

Knowledge Area

Media Studies and Mediatic Production

Date of Defense

2009-05-20

Published

São Paulo, 2009

Supervisor

Machado Junior, Rubens Luis Ribeiro (Catálogo USP)

Committee

Machado Junior, Rubens Luis Ribeiro (President)
Favaretto, Celso Fernando
Xavier, Ismail Norberto

Title in Portuguese

Contradições da canção: música popular brasileira em "O Mandarim", de Julio Bressane

Keywords in Portuguese

"O mandarim"
"Tabu"
Cinema Brasileiro
Julio Bressane
Mario Reis
Música Popular Brasileira
Tropicalismo

Abstract in Portuguese

Os longas-metragens "Tabu" (1982) e "O mandarim" (1995), de Julio Bressane, reinterpretam a história da canção popular brasileira de Mario Reis até a Tropicália, usando referências do modernismo e do próprio tropicalismo e questionando as influências populares, eruditas e estrangeiras da música brasileira.

Title in English

Contradictions of the song: Brazilian popular music in Julio Bressane's "O mandarim"

Keywords in English

"O mandarim"
"Tabu"
Brazilian cinema
Brazilian popular music
Julio Bressane
Mario Reis
Tropicalism

Abstract in English

Julio Bressanes films Tabu (1982) and O mandarim (1995) interpret the story of Brazilian popular music from Mario Reis until the Tropicália movement. The director uses Brazilian modernisms and Tropicalisms references to question the popular, the erudite and the foreigner influences in Brazilian music.

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CAMARNEIRO_contradicoes_da_cancao.pdf (2.24 Mbytes)

Publishing Date

2009-09-24

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